how casino royale's torture scene was shot

His own muscles, betraying him, squeezing the breath from his body. Villiers tries to breathe, but his chest is too tight. “Listen to me,” says Bond, his hand burning into Villiers’ skin. “Please,” whispers Villiers, then, stronger, “get off me.” His heart races and his breath is quick and shallow, and he can’t defend himself, not against Bond, not in this condition – why? Why does he still have to fight, can’t this be over, can’t he relax, for once? Villiers clenches, muscles tensing in terror. “We don’t always get what we want,” says James Bond, and his hand rests in the center of Villiers’ chest. “I don’t want you to touch me,” he rasps, his throat sore and raw. Villiers stiffens, in the memory of fear – he clenches his jaw, swallowing the echo of agony, and he tries to shrug the hand off. The hand is warm on his shoulder, and the bed dips as the other man settles next to him. Villiers feigns sleep, but his eyelids jerk and his frame is too tense. The soft click of a cell phone snapping shut. “Whatever it takes,” says the voice, flatly. Villiers curls against himself, palm flat on the mattress in front of him. “Doesn’t look like any permanent damage, but he’s been tortured.” A pause, then, “I haven’t checked.” “Alive,” he hears a smooth voice, from the other side of the room. “Let’s get started.”Īnd opens his eyes, squinting against the darkness of the room. Lines up the sights, and he’s not startled at all to see a white, crisp shirt in the path of the bullet, sleeves rolled up to the elbows, a face red with heat and exertion. The gun slips into his hand, and he hefts it, points it at the wall across from him. Villiers is surprised, vaguely, abstractly. He keeps his desk spotless, he always does, but right now there’s soda cans and candy wrappers and crumpled paper and phones, and –

Villiers searches through the detritus on the desk, though it’s unusually deep.

And after page sixteen it skips to page twenty-seven… He flips through them, one, two, three, four, five, six, seven – the others are upside-down. Better than being awake, some part of him mutters, and Villiers twists idly, half-aware of the sheets tangled around his waist, half caught up in a warped reality that he doesn’t want to leave.Ĭrisp sheets of paper flutter under his fingertips the pages, they’re out of order.

prison break: mahone/scofield/kellerman.

prison break: mahone/kellerman/tancredi.

How casino royale's torture scene was shot